A fine artist who pursues the boundary.

I think that the abstracted and sophisticated “paintings” can tell something more than “information” to the viewers by taking time to read and understand it. It is an Information that includes minor phenomena such as the materiality of canvas, touch of paints, and the physicality of the artist.

In the series “REVIVE”, I use the record of photos of meals before and after the surgery. I have processed the photos into mosaics, extracted colours from them, and faithfully painted dots with it. A set of dots painted would include the scenery where the protagonist is and the time lapse of act of eating, however, that’s not all I want you to see through the painting.

I aimed to create painting to think about what is painting for a painter, using a form of landscape painting as a starting point. I choose only one action of it: reproducing the colours in landscape, and it’s elements are divided into “mix,” “paint,” and “depict,”  in order to form a triptych. Based on that, I would like the viewers, who follow what the artist thinks, to realise once again that they are also here trying to find their answers themselves.

With the development of ICT, we are now in an age where enormous amounts of information can be obtained instantly. It looks like the default to get an instant answer from the others. A hint of fear the artist remembers in a speedy stream of this world may be her yearning to remember the world, things and people in real. The technology of NFT has been developed, while it looks further shook the uniqueness in works of art. However, I will continue making landscape paintings to keep track of this evolving world.

01/12/2021 Miki Wanibuchi



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